In the Lights of the Predators - Cinema-Aesthetics
PDL26 PDL Lighting & Accessories Lighting Accessories | PDL by Schneider Electric
Street lights, camera, action: how LEDs are changing the look of films | Cities | The Guardian
Collateral Decorative Vent 9" x 3" Satin Stainless Steel - Broughtons Lighting & Ironmongery
Collateral Filming Locations - part 5
Neon Noir — 'Collateral' Movie Breakdown & Appreciation
The Contemporary City – as represented in Michael Mann's 'Collateral' – KSA MA Architectural Visualisation
LED street lighting - "The end of cinema" - Rob Draper, ACS - Director of PhotographyRob Draper, ACS – Director of Photography
Why Hollywood Will Never Look the Same Again on Film: LEDs Hit the Streets of LA & NY
Review: Collateral - Slant Magazine
Say goodbye to moody movie shots of LA at night: How LED street lights mean an end to the urban glow of films like Collateral | Daily Mail Online
Collateral Decorative Vent 6" x 3" Polished Chrome - Broughtons Lighting & Ironmongery
Collateral and Archives | Mark Architectural Lighting
Collateral (2004) | Cinematography by Dion Beebe and Paul Cameron | Directed by Michael Mann | Cinematic photography, Cinema photography, Filmmaking
Collateral - 4K Ultra HD Blu-ray Ultra HD Review | High Def Digest
This One Line From 'Collateral' Plays on a Loop in My Head
Red Light District image - Collateral - Mod DB
Collateral & Co.
Collateral (2004) - ELD Lighting — Steemit
Collateral (2004) - ELD Lighting — Steemit
Before Sunrise, or Los Angeles Plays Itself In a Lonely Place – Senses of Cinema
Why Hollywood Will Never Look the Same Again on Film - Longreads
Neon Noir — 'Collateral' Movie Breakdown & Appreciation
